What would Antoine Court de Gbelin consider the Happy Squirrel? De Gbelin was a Protestant minister born in the 18th century. The Latest Info Found Here authored the multi-volume tome Le Monde primitif, which insisted that the tarot deck consisted of tricks of the ancient Egyptians, whose priests had distilled their occult wisdom into the cards' illustrations, imbuing them with great magical power.
It was a bold and rather unreasonable assertion, offered that de Gbelin could not check out Egyptian hieroglyphics (nobody might at the time, considering that they weren't analyzed till the 19th century). Regardless of a total absence of historical proof to back his claim, the theory stuck: Tarot decks, when a novelty, ended up being popular tools for divination after the publication of de Gbelin's book.
Lisa goes to a foreteller who is unconcerned when Lisa chooses Death, but gasps in scary when the next card she draws is the Happy Squirrel. (When Lisa asks if the fuzzy rodent is a bad indication, the foreteller demurs, saying that "the cards are unclear and mysterious.") Although it started as a cartoon joke, the Delighted Squirrel card has actually made its way into over a dozen commercially offered tarot decks.
Although tarot images utilizes apparently universal archetypes, brand-new decks are constantly being invented, and old decks modified. The art of tarot cards can never ever completely transcend its scene. Which pleads a second question: How do the cards' art and style relate to the social changes, technological advances, and aesthetic perceptiveness of their specific eras?.
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Dior's spring 2021 haute couture collection debuted last January with a rich brief movie developed by Matteo Garrone that opens with a tarot reading that transports its querent to a mysterious chateau occupied by sumptuously dressed figures from the card deck the Fool, the Empress, an anthropomorphized Sun and Moon who serve as signposts as she travels down one passage and then another.
By the 1940s, tarot was already a centuries-old practice it is believed to have stemmed in Central Europe in the 1400s, and the earliest surviving cards come from decks commissioned in the mid-15th century by Filippo Maria Visconti, the Duke of Milan, and his successor, Francesco Sforza, and feature comprehensive illustrations of nobility and gilded backgrounds.
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